Music Of Jurriaan Andriessen – Amsterdam Concertgebouw – Hein Jordans – 1951 – Past Daily Weekend Gramophone
More music of Dutch composers this week. Jurriaan Andriessen was a contemporary Dutch composer, whose father, Hendrik, brother Louis, and uncle Willem have also been notable composers. Andriessen studied composition with his father at the Utrecht Conservatory before moving to Paris where he studied with Olivier Messiaen.
The bulk of Andriessen’s output is for the stage; his study in Paris was primarily in writing film music. He had a variety of musical influences which he drew upon, including American film music, Aaron Copland’s ballets, folk music of various cultures, neoclassicism, and serialism; this eclecticism combined with his compositional skill made his writing well-suited to scoring dramatic works. His first stage composition was incidental music for “The Miraculous Hour”, a play premiered at the celebration of the 50th year of Queen Wilhelmina‘s reign, in 1948. In 1954 the Haagse Comedie (now the Nationaal Toneel, or “National Theatre”) appointed him resident composer, where he wrote scores for Eugene O’Neill’s Mourning Becomes Electra and Tom Stoppard‘s Rosencrantz & Guildenstern Are Dead, among numerous others.
His stay in the United States on a Rockefeller Foundation fellowship from 1949 to 1951 was a fruitful one for his orchestral writing, another notable area of his work; during this time he composed the Tanglewood Overture for Serge Koussevitsky, and the Berkshire Symphonies, later used as ballet music by George Balanchine. His compositions were commissioned for state celebrations, including the wedding and the coronation of Queen Beatrix and the silver jubilee of Queen Juliana.
In addition to the theatre works he is most noted for, Andriessen was also a prolific composer of chamber and vocal works, many of which were meant to be performed by amateurs; he has also been a director for television. Andriessen died in 1996,
This performance of the Sinfonietta Concertante doesn’t appear to have been made available commercially, even via the major Dutch Publishing/Performance group Donemus. It’s taken from a concert presumably around 1951 or ’52.
Leading the Concertgebouw is the Netherlands conductor Hein Jordans, who was very much an active fixture during the early days of the lp and recorded for several labels as well as being a prominent figure in radio broadcasting. Jordans was permanent guest conductor of the ACO until his appointment in 1949 to Music Director of the Brabanst Orkest, a position he held until his retirement in 1979. Jordans died in 2003. He also guest conducted a number of orchestras throughout Europe.