Randall Thompson

Randall Thompson - Although known primarily for Choral Composition, he had a healthy output of other genres.

Charles Munch And The Boston Symphony Rehearse Music Of Randall Thompson – 1950 – Past Daily Weekend Gramophone

Randall Thompson
Randall Thompson – Although known primarily for Choral Composition, he had a healthy output of other genres.

Charles Munch and The Boston Symphony In Rehearsal – Randall Thompson; Symphony No. 3 – Dukas; Sorcerer’s Apprentice – March 27, 1950 – Gordon Skene Sound Collection –

Another from the 1940s/early 1950s series Boston Symphony In Rehearsal. This week it’s the rehearsal of a world premier – Symphony Number 3 by American Composer Randall Thompson – and with a few minutes time left, cramming in a bit of Dukas’ Sorcerer’s Apprentice.

Randall attended The Lawrenceville School, where his father was an English teacher. He then attended Harvard University, became assistant professor of music and choir director at Wellesley College, and received a doctorate in music from the University of Rochester’s Eastman School of Music. He went on to teach at the Curtis Institute of Music (serving as its Director 1941/1942), at the University of Virginia, and at Harvard University. He is particularly noted for his choral works. He was an honorary member of the Rho Tau chapter of Phi Mu Alpha Sinfonia Fraternity at Appalachian State University.

Thompson composed three symphonies and numerous vocal works including Americana, The Testament of Freedom, Frostiana, and The Peaceable Kingdom, inspired by Edward Hicks’s painting. His most popular and recognizable choral work is his anthem, Alleluia, commissioned by Serge Koussevitzky for the opening of the Berkshire Music Center at Tanglewood. He also wrote the operas Solomon and Balkis and The Nativity According to St. Luke.

Americana, a song cycle, is written in a 20th-century musical art style known as “News Items”—compositions that parody newspaper layout and content, or whose lyrics are lifted from media of the day. The lyrics are lifted from the “Americana” section of H. L. Mencken’s American Mercury magazine, which would reprint quotes and stories from U.S. publications. The song cycle’s texts come from such publications as the Seattle, Washington, Post-Intelligencer, the Little Rock, Arkansas, Gazette, and a leaflet issued by the National Women’s Christian Temperance Union.

Leonard Bernstein was one of Thompson’s students both at Harvard and at Curtis, according to his own testimony in a speech he gave at Curtis Institute’s 75th Anniversary Banquet. Thompson’s other notable students include Samuel Adler, Leo Kraft, Juan Orrego-Salas, John Davison, Thomas Beveridge, Charles Edward Hamm, George Lynn, William P. Perry, Christopher King, Joel Cohen, Frederic Rzewski, Richard Edward Wilson and David Borden.

Also featured on this broadcast is an interview with Randall Thompson, where he discusses composing his Third Symphony. As with all these rehearsal broadcasts, they are fascinating glimpses into how a performance comes together.

A nice half-hour all around, with legendary music critic Olin Downes at the helm.

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