Viktoria Postnikova With Gennady Rozhdestvensky And The Chicago Symphony Play Music Of Tchaikovsky – 1978 – Past Daily Mid-Week Concert
More legends in concert this week. This time it’s the Husband-Wife team of Viktoria Postnikova and Gennady Rozhdestvensky with the Chicago Symphony in music of Tchaikovsky.
Only two works, but seldom heard. First is a complete, unedited performance of the 2nd Piano concerto. And in the second half, the complete four movement symphonic Tableux Manfred.
Viktoria Postnikova was born in Moscow into a family of musicians. She entered the Central Music School of the Moscow Conservatory at age six, studying with E.B. Musaelian. She graduated in 1967, having studied there and in postgraduate courses with Professor Yakov Flier. In 1965 she won a prize at the International Chopin Piano Competition. She subsequently also won prizes at the Leeds International Piano Competition in England, the Vianna da Motta International Music Competition in Lisbon, and the Fourth International Tchaikovsky Competition in Moscow.
Her repertoire is extremely broad, covering works by composers such as Bach, Handel, Scarlatti, Haydn, Mozart, Liszt, Chopin, Mendelssohn, Schumann, Brahms and Rachmaninoff and from more contemporary periods music by Busoni, Ives, Britten, Shostakovich and Schnittke. One of her greatest accomplishments is her recording of Tchaikovsky’s complete piano works.
She takes part in concerts, recordings and recitals at home and abroad with her conductor husband Gennady Rozhdestvensky, whom she married in 1969. Their son, Sasha Rozhdestvensky, is a violinist.
Postnikova is also an accomplished chamber musician, having given recitals in the CIS and France with Yehudi Menuhin featuring the complete Brahms violin and piano sonatas along with sonatas by Mozart, Beethoven and Bartók.
Gennady Rozhdestvensky was considered a versatile conductor and a highly cultured musician with a supple stick technique. In moulding his interpretations, he gave a clear idea of the structural outlines and emotional content of a piece, combined with a performing style which melded logic, intuition and spontaneity. In the Soviet Union, he recorded extensively with the big three major contemporary soloists David Oistrakh (violin, Sviatoslav Richter (piano) and Mstislav Rostropovich (cello).
Rozhdestvensky is featured in the documentary Notes interdites: scènes de la vie musicale en Russie Soviétique (English title: “The Red Baton”), which examines the hardships faced by musicians in the Soviet Union under Stalinism. In it, he describes the political situation and its impact on his life, as well as those of Shostakovich, Prokofiev, Stravinsky, Richter and other colleagues. The role of Tikhon Khrennikov, Secretary of the Union of Soviet Composers, is discussed extensively.
On a lighter note, the documentary features Rozhdestvensky discussing the art of conducting, and includes footage of masterclasses, rehearsals with students from the Moscow Conservatory and Zürich’s Tonhalle orchestra, as well as snippets of Rozhdestvensky conducting Shostakovich’s 7th Symphony, Tchaikovsky’s Romeo and Juliet, and Alfred Schnittke’s Dead Souls.
In 2016, Rozhdestvensky was awarded the 7th International Shostakovich Prize for his contribution to the interpretation of the work of Dmitri Shostakovich. At Edinburgh in 1964, he conducted the first performance outside the Soviet Union of the 4th symphony. His 1983 recording of the 8th symphony is considered a classic. He edited the second volume of the collected works of Shostakovich published in 1984, including the Symphony No. 3 and Symphony No. 4.
In 1969, Rozhdestvensky married the pianist Viktoria Postnikova. Together they recorded Tchaikovsky’s piano concertos. Their son, Sasha Rozhdestvensky, is a violinist, with whom Rozhdestvensky senior recorded the Glazunov and Shostakovich violin concertos in 2007.
Gennady Rozhdestvensky died on 16 June 2018.
Definitely constitutes an Anti-Road Rage Wednesday concert. Turn it up and enjoy.