The Jasmine Minks - In session 1986

The Jasmine Minks - one of the first bands signed to Creation Records, and still going strong.

The Jasmine Minks – In Session – 1986 – Past Daily Soundbooth

The Jasmine Minks - In session 1986
The Jasmine Minks – one of the first bands signed to Creation Records, and still going strong.

The Jasmine Minks – in session for Janice Long – BBC Radio 1 – October 15, 1986 – BBC Radio 1 –

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The Jasmine Minks to end the work-week. The Jasmine Minks formed in Aberdeen in 1983, the band were initially a quartet of Jim Shepherd (guitar/vocals), Adam Sanderson (vocals/guitar), Martin Keena(bass guitar), and Tom Reid (drums/vocals). After sending a demo tape to Melody Maker, the band were recruited by Alan McGee to record for the fledgling Creation label. Their first single, “Think!” was recorded for £50 at Alaska Studios, Waterloo. The 4 piece line up was augmented by keyboards from Dave Musker, and the single produced by Joe Foster. The small brown plastic electronic organ was the same one that had previously been used on “Blue Boy” by Orange Juice. Prior to recording, Sanderson had been listening to the Buzzcocks’ Spiral Scratch EP, and repeated the two note refrain from “Boredom” at the end of “Think!”. Later, Edwyn Collins of Orange Juice was to reference “Boredom” and repeat the same two note refrain on Orange Juice’s hit single “Rip It Up”. “Think!”/”Work For Nothing” was released in March 1984, and reached single of the week status, jointly with The Pastels single that Alan McGee released at the same time.

The band recorded and released their second single, “Where the Traffic Goes”/”Mr Magic”, once again at Alaska for a similar budget, with Foster producing again. McGee had the idea to promote “Where The Traffic Goes” by doing a one-day busking tour, an idea which he may have “borrowed” from the Violent Femmes, an American band the Jasmine Minks had supported. They played eight gigs in one day, all on acoustic instruments, were moved on by the police, were invited into pubs, and then went to McGees’s club, the Living Room to perform that night’s gig. By then bored with the acoustics, the band played an all-electric set, amps cranked up to the max, with a 1-2-3-4 between each song, Ramones style. The press were there, and the energy surprised them. They received outstanding reviews, and were chosen by the NME as one of the eighteen most hopeful bands in Britain and were invited to play at the NME showcase along with Lloyd Cole, The Triffids, The Go-Betweens, The Pogues and others. Jasmine Minks records were played on national radio, and the band began to attract a good reputation as a live act. McGee gave them over £400 to record a six track mini-album, One Two Three Four Five Six Seven, All Good Preachers Go To Heaven (1984, Creation) and some major labels showed an interest in the band, to the extent of booking them sessions in very expensive studios.

Unfortunately, the NME showcase happened during the National Union of Journalists strike, the music press was heavily involved, and the NME was not printed; In short, there was no publicity for the music event of the year, and the band played to a very sparse audience. The expected boost in the band’s popularity didn’t happen.

At the end of 1984 the band toured mainland Europe as part of a Creation package including McGee’s band Biff Bang Pow! and new Creation signings The Jesus and Mary Chain. The JAMC single “Upside Down” was released while the tour was in progress. When the tour was over, McGee found himself increasingly preoccupied with the rising success of the Jesus and Mary Chain. During this period, the Jasmine Minks recorded a four track EP, inspired by listening to the Buzzcocks “Time’s Up” bootleg over and over. It sat on a shelf while McGee was forced to pursue other interests, eventually surfacing as a seven-inch single of “What’s Happening”/”Black & Blue”, which was largely ignored by the music press.

Their self-titled debut album was recorded in Ellon, Aberdeenshire, on a budget of £600 and released in 1986. The idea had been to record a low budget, high quality song based album, but McGee did not like the finished result and dropped some tracks. Some earlier recordings were used for the album, including the track “Cold Heart”, which had originally been recorded during the One Two Three Four Five Six Seven, All Good Preachers Go To Heaven sessions. In 1986 the band recorded their only Peel session, along with this session for Janice Long.

In March of 2019, the band announced their new 7” single, to be released via A Turntable Friend Records, both digitally and on blue vinyl in cardboard sleeve.

Still together, still happening – take a step back in time for this session from October 1986.

Good way to start the weekend.

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