Low - In session for John Peel
Low - American Indie at its finest.

Low In Session – 2000 – Past Daily Soundbooth

Low - In session for John Peel

Low – American Indie at its finest.

Low – In session for John Peel – Maida Vale Studios – November 11, 2000 – BBC Radio 1 –

Low in session to end the week. A serene capper to an insane week, only fitting that one of America’s finest examples of Indie comes along to say it’s all going to be okay. Of course, this session comes hot on the heels of the election of 2000 – another time of hysteria an uncertainty. Further evidence that powerful music is timeless.

The music of Low is characterized by slow tempos and minimalist arrangements. Early descriptions sometimes referred to it as a rock subgenre called “slowcore” often compared to the band Bedhead, who played this style during the 1980s and early 1990s. However, Low’s members ultimately disapproved of the term.

Parker and Sparhawk’s striking vocal harmonies represent perhaps the group’s most distinctive element; critic Denise Sullivan writes that their shared vocals are “as chilling as anything Gram and Emmylou ever conspired on—though that’s not to say it’s country-tinged, just straight from the heart.”

Low are known for their impressive live performances. Rock club audiences sometimes watch the band while seated on the floor. During their early career, the band often faced unsympathetic and inattentive audiences in bars and clubs, to which they responded by bucking rock protocol and turning their volume down. The huge dynamic range of Low’s early music made it susceptible to background noise and chatter, since many of their songs were very quiet. A performance in 1996 at the South by Southwest festival was overpowered when a Scandinavian hardcore band was booked downstairs. The Trust album marked a turning point, and Low’s music has developed a more emphatic sound.

The band’s mainstream exposure has been limited: their best-known song is arguably a hymnal version of “The Little Drummer Boy,” which was featured in a Gap television ad that depicted a snowball fight in slow-motion to match the song’s glacial tempo. A remix of their “Halflight” was featured in the Mothman Prophecies motion picture. The band made their network television debut in 2005 by performing the single “California” on an episode of Last Call with Carson Daly. On June 11, 2007, Scott Bateman, a web animator, announced that his video for Low’s song Hatchet (Optimimi version) would be one of the preloads on the new Zune. Also in 2007 they recorded a song called “Family Tree” which featured in the “Careful” episode of Nick Jr’s kids’ show Yo Gabba Gabba!

As a reminder of their performance for John Peel at BBC Radio 1 in 2000, hit the play button and dive into this Maida Vale session and get ready for the weekend.

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