Sounds of the William Parker Organ quartet, in concert at the Banlieues Bleues Festival in Pantin, France on March 28, 2017.
Joining William Parker onstage are: Cooper-Moore on keyboards – James Brandon Lewis on tenor sax and Hamid Drake on drums. And the man himself on bass.
Beginning in the 1980s, William Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. The Village Voice named him “the most consistently brilliant free jazz bassist of all time” and DownBeat has called him “one of the most adventurous and prolific bandleaders in jazz”.
William Parker’s “breakout” albums were released in the early 2000s, first with the William Parker Quartet (with saxophonist Rob Brown, drummer Hamid Drake, and trumpeter Lewis Barnes): O’Neal’s Porch was included in Best of 2001 lists in The New York Times, DownBeat, and the Jazz Journalists Association; in 2002, Raining on the Moon, featuring guest Leena Conquest, received rave reviews in publications including Pitchfork. The album Sound Unity by the William Parker Quartet was chosen as one of Amazon.com’s Top 100 Editor’s Picks of 2005. Petit Oiseau was chosen as one of the best jazz disks of 2008 by The Wall Street Journal, the BBC’s Radio Three, The Village Voice, and PopMatters. Double Sunrise Over Neptune, also released in 2008, was listed as one of the top 10 2008 (through end of August) Jazz CDs at Amazon.
Increasing prominence throughout the 2000s also led to a revisiting of his back catalogue, with the release of a number of early recordings.
William Parker is a prominent musician in the New York City experimental jazz scene, where he leads a number of groups and is associated with the Vision Festival, organized by his wife, the dancer Patricia Nicholson; he is also frequently noted for his community dedication, mentorship, and status as “free-jazz caretaker” and “unofficial mayor of the New York improvisational scene”.
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