Marquis De Sade – In Session – 1981 – Past Daily Soundboooth
Marquis de Sade – live at le Palladium, Geneva – March 11, 1981 – Gordon Skene Sound Collection –
For the price of a ho-hum Latte:Become a Patron!
Short-lived French Post-Punk/New-Wave band Marquis de Sade in session tonight. Recorded at Le Palladium in Geneva on March 11, 1981 presumably for Swiss Radio.
Not a household name at the time, but a band that made its presence known and made a lasting impression because of that.
Their bio via All Music by Oliver Duboc:
Formed in 1977, Marquis de Sade were one of the truly classic French combos of the late ’70s and early ’80s, leaving a lasting imprint on the Rennes music scene. In three years, Franck Darcel (guitar), Christian Dargelos (keyboards), Philippe Pascal (vocals), and an ever-changing set of additional musicians came up with two major records in French pop/rock history, both containing witty, dark, and exciting music comparable to Howard Devoto’s Magazine, mixing post-punk and new wave with a drop of funk to produce an intensely nervous, modern, yet romantic sound, often copied but rarely equaled. After a first EP (Air Tight Cell/Henry), their first album, 1979’s Dantzig Twist, was recorded in collaboration with Arnold Turboust (later to collaborate with Etienne Daho) on keyboards and Daniel Paboeuf on saxophone. Their material having made a strong impression and after the release of another EP (Rythmiques) in 1980, Marquis de Sade recorded Rue de Siam at separate sessions in Paris and London, showing signs of strained relations within the band. As a matter of fact, this 1981 release was their last. The band’s 1981 breakup led to the formation of half a dozen groups, such as Marc Seberg (including Philippe Pascal, Pierre Thomas, and Anzia) and Les Nus (featuring Christian Dargelos). Among numerous projects, Franck Darcel formed Octobre and went on to produce rising star Etienne Daho. Though Marquis de Sade didn’t achieve mass popularity, the band has earned nearly cult status, and has achieved some recognition alongside ’80s underground faves like Taxi Girl during the mid-2000s new wave/post-punk revival.
I definitely hear comparisons to Magazine. It’s a shame they didn’t do more, but this relatively rare document gives some indication of what they were like live – and that would been something to see.
Couldn’t be everywhere all the time – especially in 1981.
Crank it up and get ready for the weekend.