Tame Impala
Tame Impala – somewhere a mind is being blown

Where would Saturday be without a heavy dose of Tame Impala to get the weekend moving?

No place on the edge, that’s for sure.

This weekend we’re diving back to 2015 to the Splendour In The Grass Festival at Byron Bay in Australia for their first gig back home after their groundbreaking 2015 world tour on July 26, 2015.

Amazing that ten years have gone by and Tame Impala still conjure up a head full of sounds and images, as one of the best exponents of the New-Psychedelia to come along in the early 2000’s. Having just finished 2024 by completing a massive world tour with an equally massive response supporting a new release which is getting raves by the bucket all over the world. I think you can agree Tame Impala has become a household name by now. Color us all relieved.

Still the brainchild of Kevin Parker and still going strong, still gathering new fans and critical raves – winner of his first Grammy at this past year’s Awards show.

Tame Impala (Kevin Parker) officially released his fourth studio album, The Slow Rush late last year. Featuring the tracks Lost In Yesterday, Borderline & It Might Be Time. The Slow Rush was recorded between Los Angeles and Parker’s studio in his hometown of Fremantle, Australia. The twelve tracks were written, recorded, produced and mixed by Parker. The Slow Rush is Parker’s deep dive into the oceans of time, conjuring the feeling of a lifetime in a lightning bolt, of major milestones whizzing by while you’re looking at your phone, it’s a paean to creation and destruction and the unending cycle of life. Thanks to the ravenous demand of fans for a transcendent live performance, Tame Impala has headlined festivals and theatres around the world and released three full length albums – Innerspeaker, Lonerism and Currents. As a writer and producer Parker has collaborated with Travis Scott, SZA, Lady Gaga, Mark Ronson, Kanye West, Kali Uchis, Theophilus London, Miguel, A$AP Rocky and more.

Take a detour to 2015 and crank it up.

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