– Hank Jones Trio – Live in Osaka, Japan – Recorded November 10, 1980 – NHK-FM, Tokyo – Gordon Skene Sound Collection
Diving into the eloquent world of Hank Jones this weekend. Accompanied by George Duvivier on drums and Grady Tate on bass and recorded in concert from Osaka, Japan on November 10, 1980 and broadcast by NHK-FM in Tokyo.
Critics and musicians have described Jones as eloquent, lyrical, and impeccable. Hank Jones studied piano at an early age and came under the influence of Earl Hines, Fats Waller, Teddy Wilson, and Art Tatum. By the age of 13, Jones was performing locally in Michigan and Ohio. While playing with territory bands in Grand Rapids and Lansing in 1944, he met Lucky Thompson, who invited Jones to work in New York City at the Onyx Club with Hot Lips Page.
In New York City, Jones regularly listened to leading bop musicians, and was inspired to master the new style. While practicing and studying the music he worked with John Kirby, Howard McGhee, Coleman Hawkins, Andy Kirk, and Billy Eckstine. In autumn 1947, he began touring in Norman Granz’s Jazz at the Philharmonic package, and from 1948 to 1953 he was accompanist for Ella Fitzgerald, and accompanying her in England in the fall of 1948, developed a harmonic facility of extraordinary taste and sophistication. During this period he also made several historically important recordings with Charlie Parker, which included “The Song Is You”, from the Now’s the Time album, recorded in December 1952, with Teddy Kotick on bass and Max Roach on drums.
In 1955, most jazz pianists were immersed in the school of Bud Powell. Jones was unique in that he developed his harmonic concept prior to Powell’s ascendancy and the bebop revolution, but went on to fully assimilate the melodic vocabulary of bop. He has synthesized important elements from many great players into his own recognizable style.
During the late 1970s and the 1980s, Jones continued to record prolifically, as an unaccompanied soloist, in duos with other pianists (including John Lewis and Tommy Flanagan), and with various small ensembles, most notably the Great Jazz Trio. The group took this name in 1976, by which time Jones had already begun working at the Village Vanguard with its original members, Ron Carter and Tony Williams (it was Buster Williams rather than Carter, however, who took part in the trio’s first recording session in 1976); by 1980 Jones’ sidemen were Eddie Gómez and Al Foster, and in 1982 Jimmy Cobb replaced Foster. The trio also recorded with other all-star personnel, such as Art Farmer, Benny Golson, and Nancy Wilson. In the early 1980s Jones held a residency as a solo pianist at the Cafe Ziegfeld and made a tour of Japan, where he performed and recorded with George Duvivier and Sonny Stitt. Jones’ versatility was more in evidence with the passage of time. He collaborated on recordings of Afro-pop with an ensemble from Mali and on an album of spirituals, hymns and folksongs with Charlie Haden called Steal Away (1995).
For a taste of what he was up to in 1980, dive into this Osaka performance and stick around.
