Muse in session tonight – recorded on June 5, 2001 at BBC Radio 6 for Steve Lamacq.
The members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s. Guitarist Matt Bellamy successfully auditioned for drummer Dominic Howard’s band, Carnage Mayhem, becoming its singer and songwriter. They renamed the band Gothic Plague. They asked Chris Wolstenholme – at that time the drummer for Fixed Penalty – to join as bassist; he agreed and took up bass lessons. The band was renamed Rocket Baby Dolls and adopted a goth-glam image. Around this time, they received a £150 grant from the Prince’s Trust for equipment.
In 1994, Rocket Baby Dolls won a local battle of the bands, smashing their equipment in the process. Bellamy said, “It was supposed to be a protest, a statement, so, when we actually won, it was a real shock, a massive shock. After that, we started taking ourselves seriously.” The band quit their jobs, changed their name to Muse, and moved away from Teignmouth. The band liked that the new name was short and thought that it looked good on a poster. According to journalist Mark Beaumont, the band wanted the name to reflect “the sense Matt had that he had somehow ‘summoned up’ this band, the way mediums could summon up inspirational spirits at times of emotional need”.
Many Muse songs are recognisable by Bellamy’s vocal vibrato, falsetto, and melismatic phrasing, influenced by Jeff Buckley. As a pianist, Bellamy often uses arpeggios. Bellamy’s compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in “Space Dementia” and “Butterflies and Hurricanes”), Camille Saint-Saëns (in “I Belong to You (+Mon Cœur S’ouvre a ta Voix)”) and Frédéric Chopin (in “United States of Eurasia”). As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more “electronic” sound, citing Jimi Hendrix and Tom Morello as influences. His guitar playing is also influenced by Latin and Spanish guitar music; Bellamy said: “I just think that music is really passionate…It has so much feel and flair to it. I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that. So maybe that rubbed off somewhere.”
Wolstenholme’s basslines provide a motif for many Muse songs; the band combines bass guitar with effects and synthesisers to create overdriven fuzz bass tones. Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals.
Here’s what they were up to in 2001 as they were heard on Steve Lamacq’s program on June 5, 2001.
